Fyne Audio Vintage Classic X Floorstanding Speaker

Oak

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Product Description:

System Type 2 way, downwards firing port, with BassTrax™ Tractrix diffuser
Recommended amplifier power (Watt RMS) 20 - 280
Peak power handling (Watt) 560
Continuous power handling (Watt RMS) 140
Sensitivity (2.83 Volt @ 1m) 94dB
Nominal impedance 8 Ohm
Frequency response (-6dB typical in room) 28Hz- 26kHz
Drive unit complement 1 x 250mm IsoFlare point source driver, multi-fibre bass / midrange cone, with 75mm titanium alloy dome compression tweeter, ferrite magnet system
Crossover frequency 750Hz
Crossover type Bi-wired passive low loss, 2nd order low pass, 2nd order high pass. Cryo-Lite treated.
System adjustments High frequency energy (1.8kHz - 26kHz) +/- 3dB, Presence (2.5kHz - 5.0kHz) +/- 3dB
Dimensions - HxWxD 918 x 450 x 381mm (36.1 x 17.7 x 15.0")
Weight - Each 45.2kg
Finishes Walnut
Cabinet Construction High density fibreboard, walnut veneered with extensive internal bracing
Products Specifications
System Type 2 way, downwards firing port, with BassTrax™ Tractrix diffuser
Recommended amplifier power (Watt RMS) 20 - 280
Peak power handling (Watt) 560
Continuous power handling (Watt RMS) 140
Sensitivity (2.83 Volt @ 1m) 94dB
Nominal impedance 8 Ohm
Frequency response (-6dB typical in room) 28Hz- 26kHz
Drive unit complement 1 x 250mm IsoFlare point source driver, multi-fibre bass / midrange cone, with 75mm titanium alloy dome compression tweeter, ferrite magnet system
Crossover frequency 750Hz
Crossover type Bi-wired passive low loss, 2nd order low pass, 2nd order high pass. Cryo-Lite treated.
System adjustments High frequency energy (1.8kHz - 26kHz) +/- 3dB, Presence (2.5kHz - 5.0kHz) +/- 3dB
Dimensions - HxWxD 918 x 450 x 381mm (36.1 x 17.7 x 15.0")
Weight - Each 45.2kg
Finishes Walnut
Cabinet Construction High density fibreboard, walnut veneered with extensive internal bracing

Product Review

Overall

Value

Ease of Use

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  • Home Cinema Magazine

    • Reviewed on 16 Aug, 2023

      The Fyne Audio Classic X require some break-in time, and whether to listen to them with or without front covers should be decided at leisure – and you should also experiment with the setting options of the treble/presence controls. It’s not just about the tonal balance or the question of what dose of treble you feel is right or pleasant; it’s also about how the music is spatially presented.

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  • User Reviews

    • Reviews not posted