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System Type | 2 way, downwards firing port, with BassTrax™ Tractrix diffuser |
Recommended amplifier power (Watt RMS) | 20 - 280 |
Peak power handling (Watt) | 560 |
Continuous power handling (Watt RMS) | 140 |
Sensitivity (2.83 Volt @ 1m) | 94dB |
Nominal impedance | 8 Ohm |
Frequency response (-6dB typical in room) | 28Hz- 26kHz |
Drive unit complement | 1 x 250mm IsoFlare point source driver, multi-fibre bass / midrange cone, with 75mm titanium alloy dome compression tweeter, ferrite magnet system |
Crossover frequency | 750Hz |
Crossover type | Bi-wired passive low loss, 2nd order low pass, 2nd order high pass. Cryo-Lite treated. |
System adjustments | High frequency energy (1.8kHz - 26kHz) +/- 3dB, Presence (2.5kHz - 5.0kHz) +/- 3dB |
Dimensions - HxWxD | 918 x 450 x 381mm (36.1 x 17.7 x 15.0") |
Weight - Each | 45.2kg |
Finishes | Walnut |
Cabinet Construction | High density fibreboard, walnut veneered with extensive internal bracing |
System Type | 2 way, downwards firing port, with BassTrax™ Tractrix diffuser |
Recommended amplifier power (Watt RMS) | 20 - 280 |
Peak power handling (Watt) | 560 |
Continuous power handling (Watt RMS) | 140 |
Sensitivity (2.83 Volt @ 1m) | 94dB |
Nominal impedance | 8 Ohm |
Frequency response (-6dB typical in room) | 28Hz- 26kHz |
Drive unit complement | 1 x 250mm IsoFlare point source driver, multi-fibre bass / midrange cone, with 75mm titanium alloy dome compression tweeter, ferrite magnet system |
Crossover frequency | 750Hz |
Crossover type | Bi-wired passive low loss, 2nd order low pass, 2nd order high pass. Cryo-Lite treated. |
System adjustments | High frequency energy (1.8kHz - 26kHz) +/- 3dB, Presence (2.5kHz - 5.0kHz) +/- 3dB |
Dimensions - HxWxD | 918 x 450 x 381mm (36.1 x 17.7 x 15.0") |
Weight - Each | 45.2kg |
Finishes | Walnut |
Cabinet Construction | High density fibreboard, walnut veneered with extensive internal bracing |
Home Cinema Magazine
Reviewed on 16 Aug, 2023
The Fyne Audio Classic X require some break-in time, and whether to listen to them with or without front covers should be decided at leisure – and you should also experiment with the setting options of the treble/presence controls. It’s not just about the tonal balance or the question of what dose of treble you feel is right or pleasant; it’s also about how the music is spatially presented.
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